Knightmare
Live
From the BBC |
On Friday afternoons at school I would sit in class
watching the clock slowly tick and waiting for the final bell to go, but my
eagerness to rush home was not to start the weekend: instead it was to catch
Knightmare on TV. The show featured a contestant in a helmet (that effectively
blindfolded them) being guided through a fantasy dungeon. It was the nearest
thing at the time to watching Fighting Fantasy gamebooks on TV, and the nearest
thing at the time to making fantasy a mainstream TV phenomenon.
Now, though, a live version of the show was coming to my
home city of Edinburgh for the International Festival, and I had to go. Last
year I had surfed the wave of nostalgia by attending Ian Livingstone’s Blood of
the Zombie’s tour, could Knightmare Live up to the same high standard?
As I stood waiting to enter the theatre, I wondered if
the TV show should be reborn in this way. Sure it was technically
ground-breaking for its time, and sure it gave me great pleasure to shout at
the kids on the TV who could not navigate their dungeoneer left instead of
right, but having watched the TV show again recently (it is on Challenge TV in
the UK) I wondered if the theatre version would be similarly dated. Could it be
relevant to a modern audience?
I was admitted into a darkened theatre, so spooky that
few people dared to sit in the front row which bordered directly onto the
dungeon set. The dungeon was represented by some dungeon walls on a small
stage, and I began to realise the constraints that such a live performance had
to deal with compared with the TV show. Another constraint was the timing of
the show itself, wedged in between two other Edinburgh International festival
shows, late in starting and having to finish before the next show was due
despite its contest format.
How could such a venture hope to succeed? The theatre
version soon showed that it could do things that the original show could never dream
of. Firstly, it could interact with the audience. You can be heard when you call
out to help the beleaguered team trying to master the dungeon, you can help
them answer a riddle (instead of shouting at the TV), you can cheer or boo the
characters, or even ask Treguard a question during one of the pauses whilst the
scenery is changed when they reach a new level of the dungeon.
Secondly, the show works in the live format as it has an
abundance of humour. The TV show was in many ways unintentionally funny,
laughing at kids who could not tell their left from their right, but the live
version boasts a different style of humour. The actors are comedians in their
own right, and the dungeoneer is guided by a comedian, which lends itself to
parodying the original series and making it feel new and fresh. For Knightmare
Live you have to be 14 or over to watch, and the humour is geared towards the
child of the 90s who is now a thirty-something: Knightmare Live is Knightmare’s
older, cooler, streetwise brother who will go into those fun areas that you
wish the TV series could have.
The third reason the live version works better is that you
have more improvisation. The tripartite relationship of actors, contestants and
audience leads to more ad-libbing and a more free-form experience. The
dungeoneer started an impromptu conversation with the rock demon in the wall,
much to the hilarity of all. In another scene, the contestant did not have the
right item to progress but through interaction with the actor he was able to
provide an improvised solution. This was more the interaction of role-playing
than the gamebook mechanic of ‘have the right item or fail’ which was prevalent
in the TV series.
The acting throughout was generally excellent. Paul
Flannery plays a young Treguard with humour and guile. He is joined by Tom Bell
who plays Lord Fear (amongst others) and Amee Smith who plays several beloved female
characters from the series. There is also a hapless goblin character (I didn’t
catch the actor’s name), who adds much comic relief throughout.
A quick poll from Treguard during a scene change
indicated that pretty much all the audience had watched the original show, and
most recognised lines and characters from the original series. What was
interesting was that of all the audience, most indicated that they would prefer
to be the main character in the helmet rather than someone guiding them,
essentially blind to the show and its performance. Perhaps nostalgia is the
biggest prop of all in this live show?
For Paul Flannery, who produced the stage performance,
this whole enterprise was clearly a labour of love. He had a tremendous
knowledge of the Knightmare world, and even had on stage the original chest and
shield from the TV show. He was able to spout numerous lines from the original
series, although the audience were desperate to hear in particular that
infamous phrase ‘oohhh nasty’. You can read more about Paul’s genesis of
Knightmare Live here: http://www.knightmare.com/news/knightmare/1512-knightmare-live-what-where-and-how
After the show if you wait outside you get a chance to
wear the famous Knightmare helmet and get your photo taken. Unfortunately for
me I had to dash before they emerged (it took a while for them to pack up to
vacate the stage for the next show), but I did get to stand alongside our
dungeoneer (the self-proclaimed ‘Euan of legend’) for the evening who had met
an untimely demise in the room of blades.
It had been a victory for Lord Fear that night, but the
shows would continue with new contestants and audiences, never quite the same. Just
like its dungeoneer contestant in the famous helmet, the Knightmare franchise
is asking ‘Where am I now?’ having just arrived at somewhere new. The answer is
sure to be an interesting one.
Knightmare Live is running from the 1st to the
25th August at the Edinburgh International Festival, and if successful
is hoping to do a UK tour.
Also look out for the special new episode of Knightmare
being featured on YouTube for geek week from the 4th August,
featuring the Treguard from the original series and adult contestants!
Dammit, Walters, I'm so jealous.
ReplyDeleteThese are wondrous times we live in - shame I only get to enjoy the rerun on Challenge!
ReplyDeleteWow, that sounds really fun. Now if only I can get my wife and I to the UK....
ReplyDelete