Showing posts with label necklace of skulls. Show all posts
Showing posts with label necklace of skulls. Show all posts

Friday, November 21, 2014

Necklace of Skulls

Necklace of Skulls was first published as a part of the Virtual Reality Adventure series in 1993, and has lately been given new life as a smartphone/tablet application by Cubus Games. Dave Morris recently mentioned that he began writing Necklace of Skulls shortly after a visit to Central America. And, man alive, it shows. In this story, you take the part of Evening Star, whose journey across the world to save his twin brother is a trip through Mayan legend, and even through the fearful, dark parts of the Mesoamerican psyche that give birth to such legends.


In short, it's an extremely distinctive, evocative story. You won't find any battleaxe-wielding dwarves here. And what Cubus Games have done right is to precisely match the tone of the app to the atmosphere of that story. Visually, the artwork and overall feel here have their roots in the contemporary art of the period, and so the blend of story and artwork comes across as wholly natural. The app's sound effects are apt, as well. Sound is something I'll rarely pay much attention to in an IF app - incessant bleeping or sword-swishing noises usually just get on my nerves. But Cubus have done a great job here in terms of ambient sounds, and with the dull drum beats or tambourine rattles that greet you whenever you tap options or commands. It all adds to the story experience, and that's a tricky thing to pull off.

(Evoking a certain ambiance is really a strong point for Cubus, in fact. The same was true for their previous apps The Sinister Fairground and Heavy Metal Thunder.)


We have a strategic, diceless combat system, here. Each round, you get to choose three actions - attacking, defending or resting. If you attack when your opponent is defending, he'll take very little damage. If your opponent attacks while you're resting, he'll gut you pretty quickly. If you try to attack-attack-attack, you'll get tired out pretty quickly. Anticipating your opponents' strategies is a little tricky, but you get the hang of it soon enough. There isn't an excessive amount of combat, either. My first playthrough, I only fought two opponents.


Any real criticisms? Considering the app by itself, no. It's a solid contender against the other gamebooks-as-apps that are out there just now. Comparing this app version of Necklace of Skulls to the dead-tree gamebook of yesteryear, however, I see the app is a bit less flexible in allowing you to choose or create your character (maybe I want the AGILITY and SPELLS skills, dammit!). This is, I suspect, a choice on the part of Cubus to prune out any rules-lawyering, and to present this app as a streamlined, 'one-tap-does-all' experience. And that's no bad thing - frankly, if interactive fiction is to make any headway as a mainstream medium, I think that's the right way to go.


So, another strong entry from Cubus Games. Now I start counting the weeks and days until their next app, the sci-fi Sol Invictus...

(Post by Paul Gresty)

Saturday, April 16, 2011

April A to Z - N is for Necklace of Skulls

He's definately not 'armless.
Appears in:  Necklace of Skulls (Virtual Reality 4) by Dave Morris.

Background:  Your twin brother, on a mission to the great city, found it almost deserted, having being attacked by werewolves.  After a journey across the desert, he comes to the palace of the Necklace of Skulls but does not return.  It is up to you to find out what happened.

Prominence:  Until you get to his city, your encounters have nothing to do with Necklace of Skulls himself.  4/10.

Hardness:  Necklace of Skulls is a powerful sorcerer.  If you don't win the game with the hydra blood ball, he makes your partner disappear in a shower of sparks with a thought.  He can do the same to you if you do not act quickly.  He can be killed after a punishing combat but  if you have your brother with you, defeating him becomes a lot easier.  Killing Necklace of Skulls is not the hardest part of the book.  The hardest part is killing the sorcerer and leaving with your brother.  7/10

Ambition:  When you get closer to the Necklace of Skulls' home, people talk of strange beasts attacking their cities, but I'm not sure if that is down to him.  From what's explicitly stated, it seems that he just likes to hang out in the desert with his doggy friends which makes me wonder why people visit him so much.  3/10

Style:  Necklace of Skulls certainly has a unique look, a unique name and a unique place to live.  His servants are also brilliantly devious and enjoy revelling in your suffering.  9/10.

Diabolical genius:  Each of the Necklace of Skulls' challenges are diabolical, especially the end of the sacred game, where if you didn't win by throwing the hydra blood ball through the top hoop, he blows up your partner.  His rooms do not kill you but weaken you and terrify you, prolonging your suffering.  Necklace of Skulls really has some sadistic genius about him.  8/10

Total score:  A brilliant villain who just needs to get out more and something to aim for.  31/50

Sunday, February 6, 2011

Your adventure ends here - Some I like

Here's some failure paragraphs which I like for some reason.  Enjoy!



The first one is from Space Assassin by Steve Jackson and Ian Livingstone.
 
An orange glow pervades the room, reflecting off everything except the spheres which remain implacably black. Little doors materailize in front of each sphere and swallow them as they droft over their thesholds; within seconds the entire room is bereft of the spheres. The doors evaporate, leaving you easy eaccess to the other side of the room. Before you can stroll across, however, the room vanishes and you find yourself floating in a starry void, light years from anywhere. A stone tablet drifts slowly into view. It is engraved: "We eliminated seventy-seven spheres of annihilation on your account. As you do not have the means of paying your bill for this service we have taken the liberty of foreclosing and transporting you to this place. Sorry."
 
The tablet drifts away, leaving you to spin in the void. You have failed.

Why I like this ending

It's all about the 'sorry' at the end.  It adds a touch of humour to floating in eternal blackness.

This ending is from Moonrunner by Stephen Hand.



You have leaned the hard way that there is no escape from Karam Gruul's infamous wire tunic.  Your hunt for the fiend ends in a most grisly fashion.

Why I like this ending

This ending highlights what an evil genius Karam Gruul is. Anyone who has invented their own grisly infamous trap deserves respect.

The next ending is from the Citidel of Chaos (no, not that one) by Jamie Thompson.



You ave no way of entering e Overlord's World and none of the thinkers among the Champions can come up with a solution either...and time is running out.  After ten minutes or so, the double doors crash open and a veritable army of Enforcers and Cybermarines come boiling in.  The battle is epic in scale and you will go down i the annals of the Resistance forever.  But the outcome is never in doubt.  Eventually, you are all overwhelmed.  It is all over.

Why I like this ending

It is a great example of a blaze of glory ending

This ending is from Deathtrap Dungeon by Ian Livingstone.

You step up to the mirror and are amused by your distorted reflection. Your head looks as large as a pumpkin and your face is exceedingly strange. Suddenly, without warning, a terrible pain pounds through your head and you try to look away from the mirror but are unable to. Some evil force is keeping your eyes glued to your own reflection. You grip your head with your hands and realize with horror that it is expanding. You can withstand it no longer and, blacking out with the pain, you fall unconscious to the floor, never to wake.

Why I like this paragraph

It has an element of horror to it.  It starts off with you looking at a funny image of yourself in a mirror and ends up with you dying horribly.

The last one is from Necklace of Skulls by Dave Morris.


No expression shows on the hard ma-like face as you make your genuflection.  There is no roar of rage to show he is affronted nor flash of sullen anger in his eye.  He only raises his sceptre slowly as though to emphasize the point he is about to make.  Then, before you have a chance to move, he brings the sceptre swishing down to split your skull open like a melon.  Your adventure ends suddenly and horribly.  

Why I like this ending

This paragraph really drives home how stuffed you are and hopeless your situation is against your foe.  First of all, it contains the word genuflection.  I have no idea what it means and so my situation also becomes hopeless in a literary way. 

Then he does nothing to show off his power which is a clear indication that he has so much power that he does not need to show it off.  Oh dear.  All he does is slowly raise his sceptre.  However, even that is too quick for me and he then splits my skull open like a melon.  Which means he didn't find that too difficult. 

Next time...

A summary of what I have learnt from all these death paragraphs.

I will also post about my own writing.  Something I have done very little of during the winter, but I think I need to do it more regularly.