Siege of Sardath
If you find a tomb in the woods and kill a couple of winged dark elves trying to get inside it, you are presented with a stone door and several options to getting in. One of them may give, as the book describes, a clue to a clue. you hear a ghost telling his beloved to 'Perform the sing of summoning' to enter. This is a clue to a clue as a character you may come across before hand may do such a thing - he taps on a magical mirror three times to summon a suma. However, you then need to work out which action will work. You are given the option of hitting the door which most players might discount as it is big and stone. Sure enough, if you do hit the door, it does not make a mark. You are given the option of hitting it again and if you do, you do not make a mark. If you hit it a third time, you have performed the sign of summoning and the door opens. I think that this is challenging as it rewards players for reading carefully or being persistent and being willing to try things.
You may also come across Sorrel, an elf friend of yours, in Siege of Sardath. However, he does not recognise you and orders his elvish friends to attack you. Once again, you have several options of approaching this, including shooting him with your bow and arrow. Normally, you wouldn't do this but once again, the book rewards observant players. You are told that Sorrel has a scar over one eye and the illustration shows him with a scar on the other eye. If you hit him with the arrow, the illusionary disguise is destroyed to reveal that Sorrel is an imposter. There are other clues that you can pick up. For example, you could tell him something that only the two of you know. He doesn't acknowledge this tacit information and instead orders the elves to attack you. You risk your stamina, but you get another clue. You may also come across a sword that looks very much like Sorrel's (it is illustrated) which is also a clue that the real Sorrel is dead.
Giving Lord Leiutenant Rhyger the magic spear in Fire on the Water
Well tough. If you do give him the magic spear, the only way to avoid a horrible death is to have a substandard skill and have all of your money stolen.
This is a challenge because it goes against any ingrained habits we may have picked up and shows us a bit of the internal logic of the book. Also, death is not certain if you do give him the spear as you are given an out.
It is also a good roleplaying opportunity which can be its own reward. as Dave Morris once said, rewarding certain actions in the game is not moraility - it is economics.
|riding two tigers across a river |
with an eagle on your shoulder
whilst wearing an eyepatch
and holding a flail.
enjoyable and challenging or
unfair and frustrating?
Many of the decisions that you make have completely unpredictable consequences that lead to you being take on a completely random path but eventually you reach the end and your ultimate victory.
The reason why unpredictable consequences do not bother me in these books is because the consequences are rarely fatal and sometimes entertaining. They also do not stop you from winning. In these books, I quite enjoy being taken on these random rides through enemy infested territory, escaping each dangerous situation by the skin of my teeth, only being dropped into a more perilous one as I knew that I still had a fair chance at victory.
Creature of Havoc
Even with minimum stats, you still have a 1 in 6 chance per round of killing an opponent in combat, so there are no unfair combats, you have to be very observant to get and use the clues you get, you learn that you shouldn't squander your valuables (such as the crystal club - you don't need to use it when combat is so easy), you have interesting intellectual puzzles like figuring out language and working out exactly where you fit into a rich and detailed backstory. Your enemies are intelligent and ruthless and don't suffer from Bond villain stupidity meaing that if you do beat them, then you know that you've achieved and that error about the pendant is actually an initiative test. Apart from the first bit, none of the deaths are determined randomly (and if you do die due to a die roll at the beginning, you've only wasted 5 minutes rather than a couple of hours playing the whole gamebook only to realise that you missed the item you should have got on your first decision). The book is a challenge of your wits and persistance and after the die rolling is over, your success or failure depends on your choices rather than die rolls. Even the paths that lead to failure are interesting and fit in with the storyline so you have a detailed world to explore.
Killing Honoric, Manse and Yaemon in Avenger! (Way of the Tiger book 1)
|Honoric in bed, |
holding his big weapon.
The correct order can be worked out by an observant reader who notices that Manse's magic does not work when Honoric's sword is around. So wouldn't it be good to kill Honoric then use his sword against Manse? Exactly. You can kill Manse without the sword but it is a lot harder to do.
So how do you kill Honoric? he is asleep and he is easy to wake, but there is another option. You havea vial of the blood of Nil, an extremely rare yet extremely deadly poison. The question is: do you use it now and probably never have it again or save it for a more powerful foe? This choice is far more interesting than any old 'Do you wish to use item X?' choice as it is played up just how rare and valuable the blood of Nil is and it leaves a question in my mind - is this the right time to use it? Decisions like these are good in gamebooks as they made me think about whether I should use the poison or save it for later (or, in metagame terms - is this the correct time to use the poison or is the book just trying to get me to waste it and potentially make me lose the game - decisions like this are harder when the stakes are higher).
So here are some enjoyable and challenging situations. Next week, I will be blogging about unfair and frustrating situations.